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Post by veu on Sept 14, 2020 7:36:22 GMT -5
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Post by veu on Sept 14, 2020 7:37:29 GMT -5
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Post by veu on Sept 14, 2020 7:38:16 GMT -5
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Post by veu on Sept 14, 2020 7:38:41 GMT -5
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Post by veu on Sept 14, 2020 17:27:07 GMT -5
From Atlanta Black Star: ‘We Don’t Want to See the Locs’: Chloe x Halle Recall Wearing Wigs Earlier In Their Careers Due to Pushback Over Their Natural Hair
Posted byBy Atahabih Germain | September 14, 2020
The Beyoncé-discovered R&B duo Chloe x Halle is arguably one of the most talented pairs of rising stars of today. Not only are their vocals a force to be reckoned with, but they also perform while sporting natural locs — a move one doesn’t see very often in the entertainment industry.
The 22- and 20-year-old sisters Chloe and Halle Bailey have been rocking their hair in that style since they were about 3 and 4 years old. However, the pair recently revealed that it took some time for the gatekeepers of the entertainment world to embrace their hair the way they did.
During a recent interview with Beyonce’s mother, Tina Lawson, the young women disclosed that they used to wear wigs earlier in their careers. “It’s really all we know,” Chloe said alongside her younger sister. She continued, “What I love about it is that we’ve grown up knowing that we are beautiful in whichever form we come. We were never really attached to our hair.”
Chloe said even in elementary school the pair “never picked up on how it was different.” She added, “We just were like ‘This is us. This is me.'”
Yet, it wasn’t until they started going on auditions for acting roles around the ages of 8 and 6 that the concern around their natural locs became a topic of discussion. The “Ungodly Hour” singers say that while they were applauded for their talent, they were told their hair was going to be an issue.
“We would go on auditions for these different roles, and so a lot of the feedback it would be, ‘Oh, we like you guys, but we don’t want to see the locs,'” Chloe explained. “So the solution was to you know, get a wig to go on these auditions with.”
Unfortunately, the two said the wigs were too puffy and didn’t fit well over their locs, but they kept trying to make it work. “We got played, OK!” Halle quipped. “Some lady put troll wigs on us. She was telling us it was the right hair. ‘This is what everybody wears. This is the real deal.’ We look back at the pictures? We looked like trolls.”
Ultimately, the “Grown-ish” stars tossed the wigs, to the relief of everyone, including their classmates. “It was so big for our heads,” Chloe said. “I remember we had school orientation the day I had the wig on. Everyone was like, ‘Chloe, your hair!’ I said, ‘Yes, I combed out my locs. This is what I look like.’ Then the next week, I came back for the actual first day of school, and they said, ‘Oh, your hair is back!’ I said, ‘Yeah, I missed it, so I brought it back. Magic!'”
The days of missing out on roles due to their hair may be long gone after Halle was tapped last year for the starring role as Ariel in the upcoming “Little Mermaid” live-action Disney film. Check out below the full interview featuring Tina Lawson and Chloe x Halle as they talk music, quarantining, and more. |
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Post by veu on Sept 15, 2020 3:52:29 GMT -5
From The Daily Targum: Basking in glow of Chloe x Halle
September 15, 2020 2:20am | By Chloe Tai
Photo by Twitter | The Daily Targum
Chloe x Halle are twins that have recently released their latest studio album "Ungodly Hour" and have since performed songs off the album in uniquely different ways.
Chloe x Halle are in a genre of their own, with an individualistically curated style and a self-assurance of their very own trademark. To think that this whole journey started with grainy, sepia-tinged YouTube videos.
Now, they are signed by Beyoncé’s label, Parkwood Entertainment, doing interviews for Cosmopolitan and slaying it at an empty NFL stadium, the BET Awards and MTV Video Music Awards (VMA). No longer sepia-tinged, that is unless they want it to be.
On June 12, they released their album "Ungodly Hour," debuting in the top 20 of the Billboard chart and entering Rolling Stone’s top 50 list for the best albums of 2020. From there, they have been performing nonstop and showing artists everywhere how it’s done in quarantine. As hard as it is to believe, their performance for the TODAY Show and the BET Awards were filmed just in their backyard.
It wasn't so long ago when these stars first emerged. Chloe x Halle have been singing hypnotic harmonies in their parents’ house since they were little. One day, they covered “Pretty Hurts” by Beyoncé herself. From there, it didn't take long for Beyoncé to sign them in 2014 and subsequently feature them in her last two stadium tours.
Their first album, "The Kids Are Alright," performed magnificently, picking up two nominations for Best Urban Contemporary Album and Best New Artist at the 61st Grammy Awards.
In their breakout roles, they were cast to play twins Jazz and Sky on Freeform’s show "grown-ish," starring Yara Shahidi from ABC’s "Black-ish." With their classy refinement and signature, perfectly synced clap backs, it's no wonder that we will see more of these two multi-talented women on the screen. Halle, the younger sister, was slated last year to play Ariel in "The Little Mermaid," and Chloe just finished filming for Russell Crowe’s "The Georgetown Project."
One-half of Chloe x Halle, Chloe is the older sister at 22 years old. A Cancer sign, she’s the one that has always given off big-sister energy, whether in their personal relationship or even on camera. At 20 years old, Halle is an Aries with fiery energy.
The two were taught at a young age by their dad on how to write songs, so they've always had a hand in creating and writing their own music. Although their genre is technically R&B, the case could be made to classify their music as soulful blues or even church-level, operatic.
It’s clear that they have agency over almost every aspect of their creative process. From clothing to set design, they have never given audiences anything less than 100 percent. In an interview with Cosmopolitan, all the credits to hair and makeup are to the ladies themselves.
But, the most telling sign of their independence was when they decided to release their latest album a week after their original, planned date in response to the protests over George Floyd’s and Breonna Taylor’s deaths.
Ultimately, they decided to release their album under no pressure from a record label or manager. Instead, Halle said, “Music has been such a healer for the Black community since the beginning of time. Maybe it could help some people distract their minds from quarantine and what’s going on in the world today with hope and positivity,” according to Cosmopolitan.
Every song on their album does just that. Their most-promoted, feature song, complete with its own TikTok dance tutorial, “Do It,” is a rhythmic bop that builds itself up to a harmonious, catchy chorus.
On Sept. 4, fans were surprised with a newly recorded version of this song, featuring the talents of Doja Cat, City Girls and Mulatto. The new rendition picks up the tempo with a stronger backbeat. One might assume that this new song is more in the lane of the featured artists’ musical genres, but upon closer listening, this song fails to lose the Chloe x Halle touch in more melodious raps.
“Forgive Me” features the lilting vocals of Halle as she pleads for forgiveness, contrasting with Chloe’s accusation-filled tenor. Incredibly, in all the time Chloe x Halle has promoted this track and “Do It,” they have never once performed the same rendition twice.
For their performance of “Do It” on "Jimmy Kimmel Live!", they changed up production, with Chloe bringing in a trackpad and Halle adding acoustic guitar. Every performance involves new hairstyles, costumes and background settings, giving the impression of an ever-involving album.
Another track on their album, “Busy Boy,” starts with a barbershop-quartet-type harmonizing and quickly transitions to a TLC-reminiscent, ‘90s R&B verse. It’s easily one of the most fun and relatable songs.
“Catch Up” is probably the most out-of-genre song for the two girls, featuring Mike WiLL Made-It and Swae Lee, but they still manage to rock this rap, pop song about a tit-for-tat relationship. The back-and-forth verses between Lee and Chloe x Halle certainly give the impression of a push and pull.
Their sixth and arguably best track is “Ungodly Hour,” which they performed live for the first time at the VMAs. In silver-plated and beaded one-pieces, the ethereal combination of their angelic voices and the sashaying of their hips easily outdid most of the performances that night, but also showed just how versatile and creative Chloe x Halle are.
This song flips the usual dynamics of the sisters, with Chloe taking on more falsetto notes that Halle usually covers and Halle singing more mid-range. This allows their harmonies to take on a whole new sound, while still showcasing both of their abilities.
While in the production studio with English duo, Disclosure, Chloe x Halle developed this song from the phrase “ungodly hour” that Chloe had heard in passing. Chloe said, “When we were all in a session together, we were putting our minds together, like, what can we say with that? And we came up with the phrase ‘Love me at the ungodly hour.’ Love me at my worst. Love me when I’m not the best version of myself,” according to the musical notes for Apple Music.
With their amazing vocals and genuine love and respect for one another, it’s hard to believe that they would even have an “ungodly hour,” but as Chloe x Halle would tell you, they are truly women who have the same thoughts and experiences as any other 20-something-year-olds. To treat them as anyone less would be a disservice.
While looking forward to all their future endeavors, make sure to check out their album and latest performances. |
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Post by veu on Sept 19, 2020 4:45:51 GMT -5
From The Guardian: Interview
Chloe x Halle: ‘People said our music was too complex for the average ear’
Rachel Aroesti
Destiny’s children ... Halle Bailey (left) and Chloe (right). Photograph: Chris Pizzello/AP Photo
Written off by execs, the R&B sister duo are having the last laugh by conquering TikTok with their Beyoncé-approved, boundary-pushing pop
Rachel Aroesti
Sat 19 Sep 2020 09.00 BST
For most people, working from home entails some combination of bad posture, unwashed hair and laundry-based procrastination. For Chloe and Halle Bailey, it involves neon leotards, drone-mounted cameras and, if this interview on Zoom is anything to go by, immaculately applied red lipstick at 11 in the morning. Lockdown, it is fair to say, has not dampened the go-getting tendencies of this precocious sister act; in fact, it has facilitated a long-overdue breakthrough moment.
The release of their second album, the presciently titled Ungodly Hour, has seen the pair school the world in the art of pandemic promo. “I feel like we’ve been making the best of what we have,” says Chloe, casually evoking the cluster of visually spectacular performances and photoshoots – including an entire high-fashion ad campaign – they’ve staged from the tennis court of their family home (admittedly, having a good lockdown requires certain advantages).
Their graft has not gone unnoticed. Until recently, the sisters were primarily known as Beyoncé proteges, the pop giant having signed them to her management company in 2015 off the back of their YouTube covers of her own tracks (the duo also racked up views for versions of songs by Adele, Ariana Grande and Lorde). They appeared in the Lemonade visual album and opened for their mentor on tour, all the while producing a stream of music that, while impressive, never quite elevated them to superstar territory – until now.
Ungodly Hour charted in the Billboard Top 20 and spawned their most successful single, Do It, a slinky and intricate number that showcases their ornately beautiful vocal harmonies. Meanwhile, the quality and ubiquity of their homemade content has gained meme status on social media (“Time’s Person of the Year should be Chloe and Halle’s tennis court,” opined one Twitter user).
It’s not the only internet sensation the sisters have sparked during lockdown: Do It has become a hit on the video-sharing app du jour. “We’ve never seen one of our songs blow up on TikTok before, so we’re just like: ‘Oh, OK!’” says Halle, who is more softly spoken than her elder sister (both have wry amusement as their default mode).
Time was when a mimed performance on Saturday morning TV was all that was required to win over young fans; now pop stars must attempt to harness the mysterious hit-making potential of the virtual teen hangout. In Chloe and Halle’s case, this was achieved through some quick reflexes. After noticing people recreating the video’s choreography on the app, the sisters promptly uploaded their own version, helping it become a bona fide “challenge” that saw thousands of users painstakingly copy the dance routine in exchange for likes. “I never thought we’d make music that could be used in a challenge!” exclaims Chloe.
Flower power ... opening for Beyoncé and Jay-Z during the On the Run II tour. Photograph: Larry Busacca/PW18/Getty/Parkwood Entertainment
You can see her point. The pair’s output, which combines 90s R&B, jazz vocals and subtly inventive electronica (Chloe is responsible for the majority of the production) prizes sophisticated restraint over splashy novelty and elaborate melodies over instant earworm potential. At the same time, you’d have a difficult job arguing the pair aren’t deeply entrenched in the world of showbiz; they have been appearing in movies since they were preschoolers (they are now 22 and 20). Acting still forms a core part of their portfolio – they currently feature in US sitcom Grown-ish – and will soon provide a Disney-sized profile boost when Halle takes on the role of Ariel in the live-action remake of The Little Mermaid.
A year on, Halle is still reeling from the news of her casting. “It’s overwhelming and I’m astounded every single time I think about it,” she says, wide-eyed. “All I can do is try my best and see what happens.” Her palpable nerves make the supposed “backlash” to her winning the role seem all the more cruel (the announcement was greeted with racist outrage by a handful of social media users, largely trolls, keen to police the racial identity of a fictional character – a mythical creature to boot). Still, the pair remain wholly unbothered by online haters of any type. “People will always have something to say,” shrugs Chloe. “You can’t please everybody. You’ve just got to please yourself.”
Whereas their debut album, The Kids Are Alright, focused on the agony and ecstasy of mid-adolescence, Ungodly Hour sees the pair sift through their love lives, calling out cheaters, playboys and prolific booty-callers. But it’s not simply good girls versus bad boys; the album is suffused with a compelling moral ambiguity. Wonder What She Thinks of Me is told from the perspective of the “other woman”, while on the darkly comic Tipsy, the pair fantasise about murdering flaky love interests. (“It is such a shame that they went missing, they can’t find ’em now / Oh, I wonder how I accidentally put them in the ground.”) “We were p***** off writing that song!” insists Halle. “Sometimes when people mess with your heart, you’re like: ‘Dude I gotta do something about it.’” Chloe is keen to clarify that “we never would kill somebody. But I feel like if everything’s so general, the song gets boring.”
Golden girls ... Chloe x Halle.
Fantasising about offing errant boyfriends is one form of catharsis, but there is also more wholesome consolation to be found on the album. “When we write these songs it’s to make ourselves feel better, so when we listen back, it continues to make us feel better,” says Chloe. “I laugh at myself because there’s been so many times when I’m feeling like I don’t have too many friends or a relationship didn’t work out, I’ll play Lonely and instantly feel better.”
The sisters’ songs have also provided comfort in unforeseen ways. The pair postponed the release of Ungodly Hour out of respect for the Black Lives Matter protests – “We couldn’t make this about us” – but didn’t want to delay it for too long. “Music is a healer, and with all this going on even I need a distraction from the world or I’m going to drive myself crazy,” says Chloe.
It is a relatively recent development, but speaking up about injustice is now a prerequisite of pop stardom. Yet Chloe and Halle view their political activism not as an element of their career – let alone their celebrity image – but as an inherent part of their own existence. “The reality is it’s our life: we live a life of being black women and we feel it’s our duty to use this platform we were given,” says Halle. The pair are particularly intent on encouraging their fans to vote. “Our ancestors fought for this right, and got it taken away from them so many times: they would get tested and quizzed, the rules would be bent. So, now we have the chance to say what we want to say, we must use that to honour them,” she continues. Chloe is less equivocal: “If all of us get out and vote, that man won’t be in the office any more.”
Growing up in Atlanta, the pair had no entertainment connections to speak of (their father was a stockbroker, their mother worked in recruitment). Yet by the age of three, Chloe was starring in a major movie. How did that happen? “Our mom would always have the camera in our face, and she realised we were children with a lot of personality who [liked to] perform,” says Halle. “She was like: ‘My children are talented, what can I do?’ So we got into the acting industry, we’d do commercials for Gap and little things.”
From there, Chloe was cast in the 2003 musical The Fighting Temptations, as a young version of the character played by Beyoncé. More than a decade later, the megastar signed the duo to her management company. “She didn’t make the connection until we saw her again,” says Chloe. “The manager of her company and my dad were in talks and it came up how I was in The Fighting Temptations, so of course she told Beyoncé. When we saw each other in person she was like: ‘I didn’t even connect the two, it makes so much sense now!’” She grins: “I love how the universe works.”
Sister act ... On the red carpet for Meet the Browns in 2008. Photograph: Michael Tullberg/Getty
At eight and 10, the pair pivoted from acting to music. Although their father is not musically inclined (“He tries to sing around the house but he’s tone deaf”), he helped them to Google information about songwriting, while the girls learned how to play instruments from online tutorials. Despite garnering attention with their YouTube performances, they realised “no one really wanted to produce for us because we were very young”. So Chloe taught herself: “I’ve always loved technology, so that part came easy, but it took me five years to start making good beats.”
“That’s not true,” says Halle, rolling her eyes. “She always made good stuff.”
“No, it was trash! The first good beat I made was Drop, which was our very first single.”
Entering the music industry as teens, the pair say they were routinely patronised in the studio. “Low key and high key at the same time,” nods Chloe. “People would tell us what we were creating was too complex for the average ear. I feel like that’s so not cool to tell two young creatives who are pushing the boundaries, especially when we’re in a world where everything’s so manufactured exactly the same.”
One person who did not underestimate them was Beyoncé. “Just knowing that she appreciated how complex it was and [hearing her] go on about how beautiful something was truly meant a lot,” says Chloe. The pair still run all their work by her, although she didn’t end up having much input into Ungodly Hour. “She listened to the album and she had close to no notes, which is pretty rare because she’s such a perfectionist!” she beams.
While delighted with Queen Bey’s approval, the duo make it clear they are not seeking anyone else’s. “We really don’t need outside validation to tell us if something’s good or not,” says Chloe when I mention the praise Ungodly Hour has received online. “I feel like we’re in a place where we don’t have to explain ourselves. Make the art, put it out, if people feel a way about it – oh well!”Ungodly Hour is out now |
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Post by veu on Sept 19, 2020 4:48:07 GMT -5
From BostonHerald: ENTERTAINMENT MUSIC
Chloe x Halle stand their ground – and it shows
In this May 28, 2020 photo, Halle Bailey, left, and her sister Chloe Bailey, of the R&B duo Chloe X Halle, pose for a portrait in their backyard in Los Angeles to promote their latest release, “Ungodly Hour.” (AP Photo/Chris Pizzello)
By JED GOTTLIEB |
September 18, 2020 at 5:34 a.m.
The metal wings stand out on the cover of Chloe x Halle’s new LP “Ungodly Hour.” The image shows sisters Halle and Chloe Bailey with their arms around each others’ waists, shining silver wings on their backs.
While making “Ungodly Hour,” the two cut out pictures and words from magazines and organized them into a collage on poster board. The phrase “the trouble with angels” kept popping out from the scraps of paper.
“Everyone thinks we are these angelic beings and, one, that’s a huge compliment, and two, we are pretty good girls who work really hard, but we’re also more complex than that,” Chloe told the Herald. “That’s what we wanted to share with this album. … That’s why with the album artwork you see us with the steel-like wings.”
In this May 28, 2020 photo, Chloe Bailey, left, and her sister Halle Bailey, of the R&B duo Chloe X Halle, pose for a portrait in their backyard in Los Angeles to promote their latest release, “Ungodly Hour.” (AP Photo/Chris Pizzello)
Chloe wanted the music to have an edge while also showing that the sisters — both of whom are in their early 20s — have imperfections and flaws, and like it that way. Listening to “Ungodly Hour,” it’s hard to find those flaws.
Chloe and Halle wrote a huge chunk of the record on their own and co-wrote the remaining tracks. Chloe produced many of these tracks while collaborating with a few aces including Disclosure and Scott Storch on others. The pair fuse a ’90s r&b vibe with modern arrangements, beats and production and nods to Beyonce (Queen Bey signed Chloe x Halle to her Parkland label when the two were teens and executively produced “Ungodly Hour”). Young but tough, flirty and wise, the duo write about infidelity, boozy romance and naughty texts.
These wonderfully off-center pop songs come from artists who know they are best people to steer their art and career.
“The first two months of trying to put together this album we were in a headspace that wasn’t really ours,” Halle said. “We were taking what other people were saying into consideration, considering what other people wanted from us, considering altering and changing ourselves. After two months of failed sessions of songs we hated, we said, ‘We are going to go back to just being confident in ourselves and who we are’ and started from scratch.”
The pair got a house in Malibu together and started writing. Many of the album’s standouts — “Baby Girl,” “ROYL” — came in a surge. Once they were reminded they didn’t need to take notes from anyone else, the rest of the album came quickly.
“We are so certain of who we are, so no matter what we stand our ground,” Chloe said. “I think that’s why we are starting to see the fruits of labor now, because we have stuck to our guns since the beginning.”
If the sisters seem overconfident, brash or serious, they aren’t. Well, they’re serious about making great music (and movies and TV, both star in the series “Grown-ish” and Halle will play Ariel in the 2021 live-action “The Little Mermaid”). When you watch the video for “Do It,” the first single from “Ungodly Hour,” you can see that days of work went into the intense choreography. You can also see the sisters loving the work.
“I get the greatest joy singing and dancing and choreographing and writing and producing with my sister,” Chloe said. “We are so hands on from dancing to editing to all of it. We have a say in it because we are using our voices so everything can be heard the way it’s supposed to be heard. And it’s so much fun to see the finished product.” |
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Post by veu on Sept 19, 2020 5:35:48 GMT -5
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Post by veu on Sept 20, 2020 7:07:50 GMT -5
From CheatSheet: HOME / ENTERTAINMENT /
'Hamilton' Actor, Daveed Diggs, to Appear As This Character in Disney's Live-Action 'The Little Mermaid'
Julia Dzurillay | MORE ARTICLES
September 19, 2020
Life is the bubbles for fans of Disney and Hamilton. In fact, one actor from the Tony-award winning musical, Hamilton, is joining Ariel and all of her friends under the sea for Disney’s upcoming live-action adaptation of The Little Mermaid. Here’s what we know about Daveed Digg’s acting role with this production.
A live-action adaptation of ‘The Little Mermaid’ is in the works
Hot off the heels of Disney’s Mulan, this studio plans to release another live-action adaptation — The Little Mermaid. This film tells the story of a spirited mermaid who dreams of life above the water. This movie is slated for a 2021 debut and now, fans have a closer look into the cast of this reboot.
In this version of the movie musical, actor and singer Halle Bailey, of the sister duo Chloe X Halle will portray the main character. However, she’s joined by a few other well-known performers, including one from the original cast of Broadway’s Hamilton.
Daveed Diggs is confirmed to portray one of the main characters in this reboot
Known for portraying Marquis de Lafayette and Thomas Jefferson in the original Broadway cast of Hamilton, Daveed Diggs is one actor joining Halle Bailey under the sea. There, he will portray the worried and stressed singing crab named Sebastian. (Some even expect him to perform the iconic song from the original movie, “Under the Sea.”)
“I’m playing Sebastian. He’s a crab. It’s great,” Diggs, 37, said during an interview with People at the Screen Actors Guild Awards red carpet. “We’re sort of just getting started over there, too. It’s just a great group… That’s the first movie I can remember being aware of before it came out and being excited to go to the movie theater.”
The actor appears alongside Melissa McCarthy as Ursula, Awkwafina as Scuttle, and Jacob Tremblay as Flounder. Another Hamilton actor, Lin-Manuel Miranda is also working on the creative side of this project, writing some of the music.
Lin-Manuel Miranda also has a hand in this adaptation
One of the creators behind Hamilton, (and well as the actor behind Alexander Hamilton in the original Broadway cast,) also has a role in The Little Mermaid. There, he writes alongside Alan Menken, creating new and original songs specifically for this live-action reboot.
“Halle Bailey is going to be such an incredible Ariel,” Miranda said during an interview with ET. “And getting to write music for these characters that are probably the reason I started writing musicals in the first place, it was actually easier than I thought.”
Hamilton, The Little Mermaid. The Little Mermaid Live!, and The Little Mermaid II: Return to the Sea, are all available for binge-watching on Disney’s streaming platform. To learn more about Disney+ and to subscribe, visit their website. |
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Post by veu on Sept 20, 2020 8:04:02 GMT -5
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Post by Flounder on Sept 21, 2020 8:04:16 GMT -5
Oh wow, I haven't been on this forum for literally years. I spent so much of my early teens on here. Looking back my posts are probably so embarrassing. I can't believe I mangled to remember my username and password haha. But this live action has got me so excited!
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Post by veu on Sept 24, 2020 16:48:29 GMT -5
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Post by veu on Sept 24, 2020 17:16:32 GMT -5
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Post by veu on Sept 26, 2020 14:41:21 GMT -5
From Skyler Shuler instagram stories:  |
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Post by veu on Sept 26, 2020 14:52:06 GMT -5
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Post by veu on Sept 26, 2020 14:58:58 GMT -5
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Post by veu on Sept 29, 2020 12:34:02 GMT -5
A friend for over 10 years, Jonah Hauer-King is rising to the top of the film industry. Cast as Prince Eric in Disney's live action remake of 'The Little Mermaid', Jonah has worked with some of the best in the industry and it doesn't look to stop any time soon. But to get to where Jonah is now, he has had to endure rejection on countless occasions with many an audition and self-tape. He has used a plethora of experience and advice to navigate through his career to become the actor and gentleman he is today.www.listennotes.com/embedded/e/0595dc260511471097a87e4966693ccc/
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Post by veu on Sept 29, 2020 12:36:34 GMT -5
Halle says production for 'The Little Mermaid' will begin "soon"
In new Q&A with the USO, Halle reveals that TLM will go back to production soon.
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